Every Leica shooter (or M mount rangefinder shooter) often dreams of getting their hands on one of those Summilux or Noctilux lenses to put on their camera.
They are of the finest craftsmanship and are legendary for performance and durability. People literally spend insane amounts of money to get one, or even a couple!
Like this will all of a sudden put you in the league of Henri Cartier Bresson or Gary Winogrand or any of those Leica greats we often read about and study
I have even found myself trying to justify selling a limb or every thing I cherish to purchase one lol..
At a photography show a couple days ago in Hasbrouk Heights, NJ i found a seller with a couple rolls of Tri-X for a great price.
I decided to purchase some since i haven’t shot it in a long while
I’ve been shooting Ultrafine Xtreme 400 film almost exclusively for months now and decided i wanted to switch it up
As I’ve been watching numerous documentaries on both digital and film photography the feeling of inspiration has had my “trigger” finger ready to hit that shutter button 😉
So i put a day aside to take a number of rolls out with my Leica M3 and 50mm Summicron DR (oh how I’ve missed this combo too!)
What was planned as a casual day where maybe 1-2 rolls were shot ended up being 4-5 rolls lol
So yea..this post will probably be dedicated entirely to a lens i’m very excited to finally call my own.
The Leica Summicron 50mm F2 lens Dual Range has been praised as an amazing piece of hardware for many years amongst street photographers and photographers in general for it’s great craftsmanship as well as it’s durability/performance.
Some people, notably Ken Rockwell (take with a grain of salt), state this as being the best lens Leica has ever made.
I’d like to state some of the reasons why he considers this to be the best: