At a photography show a couple days ago in Hasbrouk Heights, NJ i found a seller with a couple rolls of Tri-X for a great price.
I decided to purchase some since i haven’t shot it in a long while
I’ve been shooting Ultrafine Xtreme 400 film almost exclusively for months now and decided i wanted to switch it up
As I’ve been watching numerous documentaries on both digital and film photography the feeling of inspiration has had my “trigger” finger ready to hit that shutter button 😉
So i put a day aside to take a number of rolls out with my Leica M3 and 50mm Summicron DR (oh how I’ve missed this combo too!)
What was planned as a casual day where maybe 1-2 rolls were shot ended up being 4-5 rolls lol
Recently during my studies on film photography and development techniques, i came across the technique of “stand development”
Apparently, doing this allows you to push your film (depending on which you use) much more easily and increases the sharpness and shadow details of the images taken.
So of course, i sought more info on this subject and came across a video done by Chuck Jines who runs a YouTube channel i frequent from time to time called Chuck Jines Photography
He calls his style “Grit Street Photography” and using his stand development technique, he gets the gritty look and feel of his film photography.
I love the type of photographers and photography that instantly make you get up and want to elevate yourself.
To me, this is what it’s all about
Keep seeking the knowledge where you can find it, and put it to practice.
You’ll find your way with hard work and dedication
Hope all has been well with you
I would like to take a moment to speak on something very near and dear to me: Photography and how it’s been able to assist me get through some tough times (and continues to do so)
As the majority of adults in this world know, life can be hectic. It can really effect you mentally and at times get in the way of any enjoyment that you try to achieve.
Keeping yourself mentally healthy is something we all strive for and without that, the body cannot be used at it’s top form.
Now i must admit, i haven’t heard of Chris Weeks before or actually seen any of his work (besides the photos shown in this documentary) but after watching this i see he definitely has the spirit of a Street Photographer.
I’m not sure how i missed this documentary actually, it looks like it came out a while back.
With all of my searching for info of Street Photography on the net, i would think i would’ve found this sooner.
Just wanted to touch base with you all on a number of things i’ve been up to lately.
I’ve had to put a couple projects on hold due to certain things popping up in my life..
I’m the type of person who cannot sit still for too long
So if i’m ever working on a project, best know i’m thinking about 6 others while i’m working on that particular one lol
I know that’s a flaw of mine and trust me i’m doing my best to get that taken care of..lol
With that being said, the chaos that is my life usually keeps me busy and off taking care of stuff
But as i’ve been doing these other things, i make sure one thing remains constant…always have a camera with me.
So as many of you have heard (or read) from my previous posts, i’m currently involved in a love affair with Kodak XTOL developer.
Ever since i first mixed my own and viewed the results at 1:1, i was hooked.
You can find more info on my previous post about it HERE
In my beliefs, i think if you are ever interested (or obsessed lol) on a subject you go and research and learn and seek more info..get involved in discussions, read forums, etc..
This has led me to so many projects i’ve taken up on my own that definitely made me a better experienced photographer.
It even helped me to become a part of the sort of photography i felt most comfortable in, this being Street Photography.
Lately i’ve been reading the back and forth conversations (arguments?) between street photographers and the light meters that they prefer (or if they use one at all!)
Particularly those conversations between people who work almost exclusively with Rangefinders cameras, like the Leica M or Canon 7 for example.
My experience with my Leica M2 (as i have mentioned before) has always been without the use of a light meter.
I guess i just like making things more difficult for myself or i just truly didn’t think i was a real “Leica Shooter” if i didn’t know how to meter in my head when i first purchased.
In a way, i still do feel this way..but i’m not against the use of a Light Meter if one chooses to use one.
Hello Everyone out there in Photography land
Well..the experiment has been completed and the film has been developed, fixed, dried and scanned 🙂
Before i show you the results, let me tell you a little bit of the procedure i went through.
So i had first heard about this tactic through a bored night in some Flickr discussion forums.
Everyone had a routine and posted some pretty good results, so i immediately wanted to take a crack at it.
I’m sure you’ve heard about it, and either found no point in actually trying to get it done or asked questions like “Why would you do that?” “Developing Color Film in Black and White Developer??”
I’m sure people have heard of developing film in other types of chemicals not meant for it.
This being the act of Cross Processing..everyone has different definitions apparently.
A lot of the time, It seems most everyone I speak to about photography just doesn’t understand why my main focus is in film photography.
I’m always hearing:
“Why are you going backwards?” “Why would you want to wait when you can get your results right now with digital?” “Forget that old school stuff, it only makes stuff harder for you”
I have a number of digital cameras that are more than capable of giving me the results I want AS FAR AS DIGITAL..but it still doesn’t compare to my love of film, it’s look and the process of it’s development.
With that being said, recently I took on a new project to take my experience with film even further and learn how to mix my own developer from powder.